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Dungeons & Dragons
Newdndlogo
The 4th Edition Dungeons & Dragons logo
Designer Gary Gygax and Dave Arneson
Publisher TSR, Wizards of the Coast
Publication date 1974 (original); 1977 (D&D Basic Set 1st revision); 1977–1979 (AD&D); 1981 (D&D Basic Set 2nd revision); 1983–1986 (D&D Basic Set 3rd revision); 1989 (AD&D 2nd Edition); 1991 (D&D Rules Cyclopedia); 2000 (D&D 3rd edition); 2003 (D&D v.3.5); 2008 (D&D 4th edition)
Years active 1974-present
Genre(s) Fantasy
System Dungeons & Dragons; d20 System
Playing time Varies
Random chance Dice rolling
Website http://www.wizards.com/dnd

Dungeons & Dragons (abbreviated as D&D or DnD)[1] is a fantasy role-playing game (RPG) adventure game originally designed by Gary Gygax and Dave Arneson, and first published in 1974 by Tactical Studies Rules, Inc. (TSR). The game is currently published by Wizards of the Coast, a subsidiary of Hasbro. It was derived from miniature wargames with a variation of the Chainmail game serving as the initial rule system.[2] D&D's publication is widely regarded as the beginning of modern role-playing games and, by extension, the entire role-playing game industry.[3]

Players of D&D create characters that embark upon imaginary adventures within a fantasy setting. A Dungeon Master (abbreviated as DM, also known as a Game Master or GM) serves as the game's referee and storyteller, while also maintaining the setting in which the adventures occur. During each game session, the players listen to descriptions of their character's surroundings, as well as additional information and potential choices from the DM, then describe their actions in response. The characters form a party that interacts with the setting's inhabitants (and each other). Together they solve dilemmas, engage in battles and gather treasure and knowledge.[3] In the process the characters earn experience points to become increasingly powerful over a series of sessions. D&D departs from traditional wargaming and assigns each player a specific character to play instead of a military formation. Miniature figures or markers, placed on a grid, are sometimes used to represent these characters.

The early success of Dungeons & Dragons led to a proliferation of similar game systems, such as Tunnels and Trolls,[4] Traveller and RuneQuest.[5] Despite this competition, D&D dominates the role-playing game industry, enjoying a nearly unassailable market position.[6] In 1977, the game was split into two versions: the simpler Dungeons & Dragons and the more complex Advanced Dungeons & Dragons (abbreviated as AD&D or ADnD).[1][7] AD&D 2nd Edition was published in 1989. In 2000, the simpler version of the game was discontinued and the complex version was renamed simply Dungeons & Dragons with the release of its 3rd Edition.[8] Dungeons and Dragons v. 3.5 was released in June 2003. The current version of the game, Dungeons and Dragons Fourth Edition, or D&D4e, was released June 6, 2008.[9]

As of 2006, Dungeons & Dragons remains the best-known[10] and best-selling[11] role-playing game, with an estimated 20 million people having played the game and more than US$1 billion in book and equipment sales.[12] Dungeons & Dragons is known beyond the game for other D&D-branded products, references in popular culture and some of the controversies that have surrounded it, particularly a moral panic in the 1980s falsely linking it to Satanism and suicide.[13]

Play overview Edit

File:Dungeons and Dragons game.jpg

Dungeons & Dragons is a structured yet open-ended role-playing game. It is normally played indoors with the participants seated around a table-top. Typically, each player controls only a single character, which represents an individual in a fictional setting.[14][15] As a group, these player characters (PCs) are often described as a ‘party’ of adventurers, with each member often having his or her own areas of specialty.[16] During the course of play, each player directs the actions of his or her character and its interactions with the other characters in the game.[17][18] A game often continues over a series of meetings to complete a single adventure, and longer into a series of related gaming adventures, called a ‘campaign’.[19]

The results of the party's choices and the overall storyline for the game are determined by the Dungeon Master (DM) according to the rules of the game and the DM's interpretation of those rules.[20] The DM selects and describes the various non-player characters (NPCs) the party encounters, the settings in which these interactions occur, and the outcomes of those encounters based on the players' choices and actions.[21][18] Encounters often take the form of battles with 'monsters'—a generic term used in D&D to describe potentially hostile beings such as animals or mythical creatures. The game's extensive rules—which cover diverse subjects such as social interactions,[22] magic use,[23] combat,[24] and the effect of the environment on PCs[25]—help the DM to make these decisions. The Dungeon Master may choose to deviate from the published rules[20] or make up new ones as he or she feels necessary.[26]

File:Dnd v3 5 rulesbooks.png

The most recent versions of the game's rules are detailed in three core rulebooks: The Player's Handbook, the Dungeon Master's Guide and the Monster Manual. A Basic Game boxed set contains abbreviated rules to help beginners learn the game.[27]

The only items required to play the game are the rulebooks, a character sheet for each player and a number of polyhedral dice. The current editions also assume, but do not require, the use of miniature figures or markers on a gridded surface, items that were optional in earlier editions.[28] Many optional accessories are available to enhance the game, such as expansion rulebooks, pre-designed adventures and various campaign settings.[29]

Game mechanics Edit

File:DnD Dice Set.jpg

Before the game begins, each player creates his or her player character and records the details (described below) on a character sheet. First, a player determines his or her character's ability scores,[30] which consist of Strength, Constitution, Dexterity, Intelligence, Wisdom, and Charisma. Each edition of the game has offered differing methods of determining these statistics; as of 4th Edition, players generally assign their ability scores from a list or use points to "buy" them.[31] The player then chooses a race (species) such as Human or Elf, a character class (occupation) such as Fighter or Wizard, an alignment (a moral and ethical outlook which may have a Good or Evil component, a Lawful or Chaotic component, or something in between), and a number of powers, skills and feats to enhance the character's basic abilities.[32] Additional background history, not covered by specific rules, is often also used to further develop the character.[33]

During the game, players describe their PC's intended actions, such as punching an opponent or picking a lock, and converse with the DM in character—who then describes the result or response.[34] Trivial actions, such as picking up a letter or opening an unlocked door, are usually automatically successful. The outcomes of more complex or risky actions are determined by rolling dice.[18] Factors contributing to the outcome include the character's ability scores, skills and the difficulty of the task.[35] In circumstances where a character does not have control of an event, such as when a trap or magical effect is triggered or a spell is cast, a saving throw can be used to determine whether the resulting damage is reduced or avoided.[36][37] In this case the odds of success are influenced by the character's class, levels and (with the 3rd edition) ability scores.[36][38]

As the game is played, each PC grows and changes over time as they gain experience. Characters gain (or sometimes lose) experience, skills[39] and wealth, and may even change alignment[40] or add additional character classes.[41] The key way characters progress is by earning experience points (XP/EXP), which happens when they defeat an enemy or accomplish a difficult task.[42] Acquiring enough XP allows a PC to advance a level, which grants the character improved class features, abilities and skills.[43] XP can also be lost in some circumstances, such as encounters with creatures that drain life energy, or by use of certain magical powers that require payment of an XP cost.[44]

Hit points (HP) are a measure of a character's vitality and health and are determined by the class, level and constitution of each character. They can be temporarily lost when a character sustains wounds in combat or otherwise comes to harm, and loss of HP is the most common way for a character to die in the game.[45] Death can also result from the loss of key ability scores[46] or character levels.[47] When a PC dies, it is often possible for the dead character to be resurrected through magic, although some penalties may be imposed as a result. If resurrection is not possible or not desired, the player may instead create a new PC to resume playing the game.[48]

Adventures, campaigns and modules Edit

A typical Dungeons & Dragons game consists of an 'adventure', which is roughly equivalent to a single story.[49] The DM can either design an adventure on his or her own, or follow one of the many additional pre-made adventures (previously known as "modules") that have been published throughout the history of Dungeons & Dragons. Published adventures typically include a background story, illustrations, maps and goals for PCs to achieve. Some also include location descriptions and handouts. Although a small adventure entitled 'Temple of the Frog' was included in the Blackmoor rules supplement in 1975,[50] the first stand-alone D&D module published by TSR was 1978’s Steading of the Hill Giant Chief, written by Gygax.

A linked series of adventures is commonly referred to as a 'campaign'.[51] The locations where these adventures occur, such as a city, country, planet or an entire fictional universe, are also sometimes called 'campaigns' but are more correctly referred to as 'worlds' or 'campaign settings'.[52] D&D settings are based in various fantasy subgenres and feature varying levels of magic and technology.[53] Popular commercially published campaign settings for Dungeons & Dragons include Greyhawk, Dragonlance, Forgotten Realms, Mystara, Spelljammer, Ravenloft, Dark Sun, Planescape, Birthright and Eberron.[54] Alternatively, DMs may develop their own fictional worlds to use as campaign settings.

File:Dungeons & Dragons Miniatures 2.jpg

Miniature figures Edit

The wargames from which Dungeons & Dragons evolved used miniature figures to represent combatants. D&D initially continued the use of miniatures in a fashion similar to its direct precursors. The original D&D set of 1974 required the use of the Chainmail miniatures game for combat resolution.[55] By the publication of the 1977 game editions, combat was mostly resolved verbally. Thus miniatures were no longer required for game play, although some players continued to use them as a visual reference.[56]

In the 1970s, numerous companies began to sell miniature figures specifically for Dungeons & Dragons and similar games. Licensed miniature manufacturers who produced official figures include Grenadier Miniatures (1980–1983),[57] Citadel Miniatures (1984–1986),[58] Ral Partha,[59] and TSR itself.[60] Most of these miniatures used the 25 mm scale, with the exception of Ral Partha’s 15 mm scale miniatures for the 1st edition Battlesystem.[61][62]

Periodically, Dungeons & Dragons has returned to its wargaming roots with supplementary rules systems for miniatures-based wargaming. Supplements such as Battlesystem (1985 & 1989) and a new edition of Chainmail (2001)[63] provided rule systems to handle battles between armies by using miniatures.

Dungeons and Dragons 3rd Edition (2000) assumes the use of miniatures to represent combat situations in play, an aspect of the game that was further emphasized in the v3.5 revision. The Dungeons & Dragons Miniatures Game (2003) is sold as sets of plastic, randomly assorted, pre-painted miniatures, and can be used as either part of a standard Dungeons & Dragons game or as a stand-alone collectible miniatures game.[64]

Game history Edit

File:Chainmail 3rd edition.jpg

Sources and influences Edit

Main article: Sources and influences on the development of Dungeons & Dragons

The immediate predecessor of Dungeons & Dragons was a set of medieval miniature rules written by Jeff Perren. These were expanded by Gary Gygax, whose additions included a fantasy supplement, before the game was published as Chainmail. Dave Arneson used Chainmail to run games where players controlled a single character instead of an army, an innovation that inspired D&D.[2] Developed with Arneson's help from his modified version of Chainmail for his Blackmoor campaign,[65] Gygax wrote "The Fantasy Game", the role-playing game (RPG) that became Dungeons & Dragons (D&D).[1][66]

Many Dungeons & Dragons elements also appear in hobbies of the mid- to late twentieth century (though these elements also existed previously). Character-based role playing, for example, can be seen in improvisational theatre.[67] Game-world simulations were well-developed in wargaming. Fantasy milieus specifically designed for gaming could be seen in Glorantha’s board games among others.[5] Ultimately, however, Dungeons & Dragons represents a unique blending of these elements.

The theme of D&D was influenced by mythology, pulp fiction, and contemporary fantasy authors of the 1960s and 1970s. The presence of halflings, elves, dwarves, half-elves, orcs, dragons, and the like, often draw comparisons to the work of J.R.R. Tolkien. Gygax maintained that he was influenced very little by The Lord of the Rings (although the owners of that work’s copyright forced the name changes of hobbit to 'halfling', ent to 'treant', and balrog to 'Type VI demon [balor]'), stating that he included these elements as a marketing move to draw on the popularity of the work.[68][69]

The magic system, in which wizards memorize spells that are used up once cast (and must be re-memorized the next day), was heavily influenced by the Dying Earth stories and novels of Jack Vance.[70] The original alignment system (which grouped all players and creatures into ‘Law’, ‘Neutrality’ and ‘Chaos’) was derived from the novel Three Hearts and Three Lions by Poul Anderson.[71] A troll described in this work also influenced the D&D definition of that monster.[69]

Other influences include the works of Robert E. Howard, Edgar Rice Burroughs, A. Merritt, H. P. Lovecraft, Fritz Leiber, L. Sprague de Camp, Fletcher Pratt, Roger Zelazny, and Michael Moorcock.[72] Monsters, spells, and magic items used in the game have been inspired by hundreds of individual works ranging from A. E. van Vogt’s “Black Destroyer”, Coeurl (the Displacer Beast), Lewis Carroll’s “Jabberwocky” (vorpal sword) to the Book of Genesis (the clerical spell ‘Blade Barrier’ was inspired by the “flaming sword which turned every way” at the gates of Eden).[71]

Edition history Edit

Dungeons & Dragons has gone through several revisions. Parallel versions and inconsistent naming practices can make it difficult to distinguish between the different editions.

File:D&d Box1st.jpg

The original Dungeons and Dragons, now referred to as OD&D was a small box set of three booklets published in 1974. It was amateurish in production and written from a perspective that assumed the reader was familiar with wargaming. Nevertheless it exploded in popularity, first among wargamers and then expanding to a more general audience of college and high school students. This first set went through many printings and was supplemented with several official additions, such as the original Greyhawk and Blackmoor supplements (both 1975)[73], as well as magazine articles in TSR’s official publications and countless fanzines.

Two-pronged strategy Edit

In 1977, TSR created the first element of a two-pronged strategy that would divide the D&D game for over two decades. A Basic Dungeons & Dragons boxed set was introduced[66] to clean up the presentation of the essential rules, make the system understandable to the general public, and placed in a package that could be stocked in toy stores. In 1978 Advanced Dungeons & Dragons (AD&D) was published,[66] which brought together the various published rules, options and corrections, then expanded them into a definitive, unified game for hobbyist gamers. The basic set directed players who exhausted the possibilities of that game to switch to the advanced rules.

Unfortunately, almost from its inception, differences of design philosophy caused this dual marketing approach to go awry. Gygax, who wrote the advanced game, wanted an expansive game with rulings on any conceivable situation which might come up during play. J. Eric Holmes, the editor of the basic game, preferred a lighter tone with more room for personal improvisation. As a result, the basic game included many rules and concepts which contradicted comparable ones in the advanced game. Confusing matters further, the original D&D boxed set remained in publication until 1979, since it remained a healthy seller for TSR.[5]

Advanced Dungeons & Dragons was designed to create a tighter, more structured game system than the loose framework of the original game.[7] While seen by many as a revision of D&D,[8] AD&D was at time declared to be "neither an expansion nor a revision of the old game, it is a new game".[7] The AD&D game was not intended to be directly compatible with D&D and it required some conversion to play between the rule sets.[74] The term Advanced described the more complex rules and did not imply "for higher-level gaming abilities". Between 1977 and 1979, three hardcover rulebooks, commonly referred to as the 'core rulebooks', were released: the Player’s Handbook (PHB), the Dungeon Master’s Guide (DMG), and the Monster Manual (MM). Several supplementary books were published throughout the 1980s, notably Unearthed Arcana (1985) that included a large number of new rules.[66]

Revised editions Edit

In 1981 Basic Dungeons & Dragons was revised by Tom Moldvay. However, the rules for the Dungeons & Dragons game continued to diverge and it became a separate and distinct product from TSR’s flagship game, AD&D. This game was promoted as a continuation of the original D&D tone, whereas AD&D was an advancement of the mechanics.[7] Although simpler overall than the 'Advanced' game, it included rules for some situations not covered in AD&D. There were five sets: Basic (1977, revised in 1981 and again in 1983), Expert (1981, revised in 1983), Companion (1983), Master (1985), and Immortals (1986, revised in 1991). Each set covered game play for more powerful characters than the previous.[75] The first four sets were later compiled as a single hardcover book, the Dungeons & Dragons Rules Cyclopedia (1991).

File:DungeonMasterGuide4Cover.jpg

Advanced Dungeons & Dragons 2nd Edition, sometimes referred to as AD&D2 or 2nd Ed, was published in 1989,[66] again as three core rulebooks; the primary designer was David "Zeb" Cook. The Monster Manual was replaced by the Monstrous Compendium, a loose-leaf binder that was replaced by the hardcover Monstrous Manual in 1993. In 1995, the core rulebooks were slightly revised, although still referred to by TSR as the 2nd Edition,[76] and a series of Player’s Option manuals were released as optional core rulebooks.[66]

The release of AD&D2 deliberately excluded some aspects of the game that had attracted negative publicity. References to demons and devils, sexually suggestive artwork, and playable, evil-aligned character types—such as assassins and half-orcs—were removed.[77] The edition moved away from a theme of 1960's and 1970's "sword and sorcery" fantasy fiction to a mixture of medieval history and mythology.[78] The rules underwent minor changes, including the addition of non-weapon proficiencies—skill-like abilities that originally appeared in 1st Edition supplements. The game's magic spells were divided into schools and spheres.[1] A major difference was the promotion of various game settings beyond that of traditional fantasy. This included blending fantasy with other genres, such as horror (Ravenloft), science fiction (Spelljammer), and apocalyptic (Dark Sun), as well as alternative historical and non-European mythological settings.[79]

Wizards of the Coast Edit

In 1997, a near-bankrupt TSR was purchased by Wizards of the Coast. Following three years of development, Dungeons & Dragons 3rd Edition was released in 2000.[80] This game is referred to as D&D3 or 3E and is not to be confused with the 1983 edition of the basic D&D game. The new release folded the Basic and Advanced lines back into a single unified game. It was the largest revision of the D&D rules to date, and also served as the basis for a multi-genre role-playing system designed around 20-sided dice, called the d20 System.[81] The 3rd Edition rules were designed to be internally consistent and less restrictive than previous editions of the game, allowing players more flexibility to create the characters they wanted to play.[82] Skills and feats were introduced into the core rules to encourage further customization of characters.[83] The new rules also standardized the mechanics of action resolution and combat.[84]

In 2003, Dungeons & Dragons v.3.5, also known as Revised 3rd Edition or D&D3.5, was released as a revision of the 3rd Edition rules. This release incorporated hundreds of rule changes, mostly minor, and expanded the core rulebooks.[84]

Dungeons & Dragons 4th Edition was announced at Gen Con in August 2007, and the initial three core books were released June 6, 2008.[9] 4th Edition brought many fundamental rules changes, including restructuring many character abilities into 'Powers'. This especially altered the spell-using classes by adding abilities that could be used at will or per encounter as well as per day, while in previous versions they were limited to a certain number of spells per day. It provided parallel sets of options for nonmagical classes that had previously had very limited options. In other respects, 4th Edition streamlined the game into a much more simplified form. In addition to printing the books, Wizards of the Coast is also releasing other supplements virtually through the Wizards website,[85][86][87] including the capability for online play via a virtual 3-D tabletop.[88]

Acclaim and influence Edit

Beginning with a French language edition in 1982, Dungeons & Dragons has been translated into many languages besides the original English.[66][1] By 2004, more than US$1 billion has been spent on Dungeons & Dragons products, and the game has been played by more than 20 million people.[12] As many as 6 million people played the game in 2007.[88]

The various editions of Dungeons & Dragons have won many Origins Awards, including All Time Best Roleplaying Rules of 1977, Best Roleplaying Rules of 1989 and Best Roleplaying Game of 2000 for the three flagship editions of the game.[89] Both Dungeons & Dragons and Advanced Dungeons & Dragons are Origins Hall of Fame Games inductees as they were deemed sufficiently distinct to merit separate inclusion on different occasions.[90] The independent Games magazine placed Dungeons & Dragons on their Games 100 list from 1980 through 1983, then entered the game into the magazine’s Hall of Fame in 1984.[91][92]

Dungeons & Dragons was the first modern role-playing game and it established many of the conventions that have dominated the genre.[93] Particularly notable are the use of dice as a game mechanic, character record sheets, use of numerical attributes and gamemaster-centered group dynamics.[94] Within months of Dungeons & Dragons’s release, new role-playing game writers and publishers began releasing their own role-playing games, with most of these being in the fantasy genre. Some of the earliest other role-playing games inspired by D&D include Tunnels and Trolls (1975),[4] Empire of the Petal Throne (1975) and Chivalry and Sorcery (1976).[95]

The role-playing movement initiated by D&D would lead to release of the science fiction game Traveller (1977) and fantasy game RuneQuest (1978), and subsequent game systems such as Chaosium’s Call of Cthulhu (1981), Champions (1982), GURPS (1986)[96] and Vampire: The Masquerade (1992).[97][5] Dungeons & Dragons and the games it influenced also fed back into the genre’s origin—miniatures wargames—with combat strategy games like Warhammer Fantasy Battles.[98] D&D also had a large impact on modern video games.[99]

Director Jon Favreau credits Dungeons & Dragons with giving him "...a really strong background in imagination, storytelling, understanding how to create tone and a sense of balance." [100]

Licensing Edit

Early in the game’s history, TSR took no action against small publishers' production of D&D compatible material. This attitude changed in the mid 1980s when TSR revoked these rights (even from publishers they had earlier officially licensed, such as Judges Guild),[101] and took legal action to prevent others from publishing compatible material. This angered many fans and led to resentment by the other gaming companies.[5] TSR itself also ran afoul of intellectual property law in several cases.[102][103]

With the launch of Dungeons & Dragons’s 3rd Edition, Wizards of the Coast made the d20 System available under the Open Game License (OGL) and d20 Trademark License. Under these licenses, authors are free to use the d20 System when writing games and game supplements.[104] The OGL and d20 Trademark License also made possible new games, some based on licensed products like Star Wars, and also new versions of older games, such as Call of Cthulhu.

During the 2000s, there has been a trend towards recreating older editions of D&D. Necromancer Games, with its slogan “Third Edition Rules, First Edition Feel”[105] and Goodman Games ‘Dungeon Crawl Classics’ range[106] are both examples of this in material for d20 System. Other companies have created complete game systems based on earlier editions of D&D. An example is HackMaster (2001) by Kenzer and Company, a licensed, non-OGL, semi-satirical follow-on to 1st and 2nd Edition.[107] Castles & Crusades (2005), by Troll Lord Games, is a reimagining of early editions by streamlining rules from OGL[108] that was supported by Gary Gygax prior to his death.[109]

With the release of the fourth edition, Wizards of the Coast has introduced its Game System License, which represents a significant restriction compared with the very open policies embodied by the OGL. In part as a response to this, some publishers (such as Paizo Publishing with its Pathfinder RPG) who previously produced materials in support of the D&D product line, have made the decision to continue supporting the 3rd Edition rules, thereby competing directly with Wizards of the Coast.[110] [111]

Controversy and notoriety Edit

At various times in its history, Dungeons & Dragons has received negative publicity, in particular from some Christian groups, for alleged promotion of such practices as devil worship, witchcraft, suicide, and murder, and for naked breasts in drawings of female humanoids in the original AD&D manuals (mainly monsters such as Harpies, Succubi, etc.).[13][112] These controversies led TSR to remove many potentially controversial references and artwork when releasing the 2nd Edition of AD&D.[77] Many of these references, including the use of the names ‘devils’ and ‘demons’, were reintroduced in the 3rd edition.[113] The moral panic over the game also led to problems for fans of D&D who faced further social ostracism, unfair treatment and false association with the occult and Satanism, regardless of an individual fan’s actual religious affiliation and beliefs.[114]

Dungeons & Dragons has also been the subject of rumors regarding players having difficulty separating fantasy and reality, even leading to psychotic episodes.[115] The most notable of these was the saga of James Dallas Egbert III,[116] which was fictionalized in the novel Mazes and Monsters and later made into a TV movie.[117][112] The game was also blamed for some of the actions of Chris Pritchard, who was convicted in 1990 of murdering his stepfather. Research by various psychologists,[118] the first being that of Armando Simon, have concluded that no harmful effects are related to the playing of D&D.[119]

The game’s commercial success was a factor that led to lawsuits regarding distribution of royalties between original creators Gygax and Arneson.[120][121] Gygax later became embroiled in a political struggle for control of TSR which culminated in a court battle and Gygax’s decision to sell his ownership interest in the company in 1985.[122]

Related products Edit

File:D&D Game 1.jpg

D&D’s commercial success has led to many other related products, including Dragon Magazine, Dungeon Magazine, an animated television series, a film series, an official role-playing soundtrack and computer games such as the MMORPG Dungeons & Dragons Online: Stormreach. Hobby and toy stores sell dice, miniatures, adventures and other game aids related to D&D and its game offspring.

References in popular culture Edit

As the popularity of D&D grew throughout the late 1970s and 1980s, the game was referenced more and more in popular culture. Numerous games, films and cultural references based on D&D or D&D-like fantasies, characters or adventures have been ubiquitous since the end of the 1970s. Typically, though by no means exclusively, D&D players are portrayed derogatively as the epitome of geekdom.[123] References to the game are used as shorthand to establish characterization or provide the punch line of a joke.[124][125] Many players, irritated with this stereotype,[126] embrace the fact that professional basketball player Tim Duncan, comedian Stephen Colbert, musician Moby, and actors Vin Diesel, Matthew Lillard, Mike Myers, Patton Oswalt, Wil Wheaton and Robin Williams have made their D&D hobbies public.[127][128][129][130][131][132]

Notes Edit

  1. 1.0 1.1 1.2 1.3 1.4 Mead, Malcomson; Dungeons & Dragons FAQ
  2. 2.0 2.1 Birnbaum; Gary Gygax Interview
  3. 3.0 3.1 Williams, Hendricks, Winkler; Gaming as Culture, introduction
  4. 4.0 4.1 Heroic Worlds, pp. 223-244
  5. 5.0 5.1 5.2 5.3 5.4 Schick; Heroic Worlds, pp. 17-34
  6. "Frankly, the difference in sales between Wizards and all other producers of roleplaying games is so staggering that even saying there is an 'RPG industry' at all may be generous." (Cook; The Open Game License as I see it)
  7. 7.0 7.1 7.2 7.3 Gygax; "From the Sorcerer's Scroll" pp. 28-30
  8. 8.0 8.1 Johnson, et al; 30 Years of Adventure, p. 253
  9. 9.0 9.1 Slavicsek; Ampersand: Exciting News!
  10. According to a 1999 survey in the United States, 6% of 12- to 35-year-olds have played role-playing games. Of those who play regularly, two thirds play D&D. (Dancey; Adventure Game Industry Market Research Summary)
  11. Products branded Dungeons & Dragons made up over fifty percent of the RPG products sold in 2005. (Hite; State of the Industry 2005)
  12. 12.0 12.1 Waters; What happened to Dungeons and Dragons?
  13. 13.0 13.1 Waldron; Role-Playing Games and the Christian Right
  14. Sometimes, if there are not enough players, one may control multiple characters. The Basic Game suggests, “If there are characters left over, some players may play more than one (but they don't have to)”. (Tweet; Dungeons & Dragons Basic Game).
  15. Waskul, Lust; "Role-Playing and Playing Roles", pp. 222-256
  16. (Slavicsek & Baker 2005:268) Chapter 21:Roleplaying and Working Together
  17. Tweet, Cook, Williams; Player's Handbook v3.5, p. 5
  18. 18.0 18.1 18.2 Willaims, Hendriks, Winkler; Gaming as Culture, "The Role-Playing Game and the Game of Role-Playing"
  19. "Encounters are to adventures what adventures are to campaigns" (Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 129)
  20. 20.0 20.1 Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 4
  21. (Slavicsek & Baker 2005:293) Chapter 23: Running the Game
  22. Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 98
  23. (Gygax 1979:114) Magical Research
  24. Tweet, Cook, Williams; Player's Handbook v3.5, p. 114
  25. Mohan; Wilderness Survival Guide
  26. (Tweet 2004:32) Make It Up
  27. As of 2007 there have been two version of the basic game. Both contained a cut down, introductory version of the D&D v.3.5 rules, miniatures, dice and dungeon map tiles with a 1" grid (Tweet 2004) and (Slavicsek & Sernett 2006).
  28. What is D&D?
  29. (Slavicsek & Baker 2005:363) Chapter 30: The Ten Best Dungeon Master Resources
  30. While the original game used 3d6 (Gygax & Arneson 1974) and this continued as the standard version with some version, though variants have been included (Gygax 1979:11), the standard for 3rd edition is "rolling four six-sided dice, ignoring the lowest die, and totaling the other three" (Tweet 2000:4).
  31. Given is the current standard order for ability scores, with the three physical scores before the three mental scores. Before 2nd edition (AD&D) they were always ordered: Strength, Intelligence, Wisdom, Dexterity, Constitution, and Charisma.
  32. (Heinsoo, Collins, Wyatt 2008:4) Character Creation Basics
  33. Gygax; Player's Handbook, p. 34
  34. (Tweet 2004:24) Exploring
  35. Tweet, Cook, Williams; Player's Handbook v3.5, p. 62
  36. 36.0 36.1 Tweet, Cook, Williams; Player's Handbook v3.5, p. 136
  37. “Generally, when you are subject to an unusual or magical attack, you get a saving throw to avoid or reduce the effect.” There is identical language in sections titled ‘Saving Throws’ in (Tweet 2000:119).
  38. Section entitled ‘Saving Throws’ in (Tweet 2000:119–120).
  39. Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 197
  40. Early editions did not allow or had severe penalties for changing alignment (Gygax 1979a:24) but more recent versions are more allowing of change. (Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 134)
  41. Tweet, Cook, Williams; Player's Handbook v3.5, p. 59
  42. (Gygax 1979:84) Experience
  43. Tweet, Cook, Williams; Player's Handbook v3.5, p. 58
  44. Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 46
  45. Tweet, Cook, Williams; Player's Handbook v3.5, p. 145
  46. Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 289
  47. Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 296
  48. Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 41
  49. Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 43
  50. Arneson; Supplement II: Blackmoor
  51. “A D&D campaign is an organized framework ... to provide a realistic setting for a series of fantastic adventures.” (Schend et al. 1991:256)
  52. "It is important to distinguish between a campaign and a world, since the terms often seem to be used interchangeably ... A world is a fictional place in which a campaign is set. It's also often called a campaign setting." (Cook, Williams, Tweet; Dungeon Master's Guide v3.5., p. 129)
  53. (Williams 1995:45) Properties of Worlds
  54. Greyhawk, Dragonlance, Forgotten Realms, Mystara, Spelljammer, Ravenloft, Dark Sun and Planescape are the campaign settings given their own chapter in Johnson, et al; 30 Years of Adventure. Eberron was only released in 2004 and, as of 2007, is one of two campaign settings, the other being Forgotten Realms, still actively supported with new releases by Wizards of the Coast.
  55. Johnson, et al; 30 Years of Adventure, p. 23
  56. The first Dungeon Masters Guide gave only a quarter of a page out of a total 240 pages to discussing the option use of miniatures. (Gygax 1979:10) Use of Miniature Figures with the Game.
  57. Pope; Grenadier Models
  58. Scott; Otherworld
  59. Pope; Ral Partha
  60. Pope; TSR
  61. Moore; 15mm Scale Fantasy Figures has a list of the 15 mm Ral Parthat Battlesystem figures.
  62. McCuen; 15mm Battlesystem Paladin 1994 has a photographic example of a 15 mm Ral Partha Battlesystem figure.
  63. List of Winners (2002)
  64. Tweet; What Are D&D Miniatures?
  65. Kushner; Dungeon Master: The Life and Legacy of Gary Gygax
  66. 66.0 66.1 66.2 66.3 66.4 66.5 66.6 The History of TSR
  67. Grigg; Albert Goes Narrative Contracting
  68. Kuntz; "Tolkien in Dungeons & Dragons"
  69. 69.0 69.1 Gygax; "On the Influence of J.R.R. Tolkien on the D&D and AD&D games"
  70. Gygax; The Dungeons and Dragons Magic System"
  71. 71.0 71.1 DeVarque; Literary Sources of D&D
  72. The first seven listed here are the “most immediate influences”. (Gygax 1979a:224) Appendix N: Inspirational and Educational Reading
  73. Schick; Heroic Worlds, pp. 132-153
  74. (Schend et al. 1991:291) Appendix 2: AD&D Game Conversions
  75. Gygax; "Dungeons & Dragons: What Is It and Where Is It Going"
  76. "This is not AD&D 3rd edition" Winter, Steven (in the forward to Cook; Player's Handbook).
  77. 77.0 77.1 Ward, James M (February 1990). "The Games Wizards: Angry Mothers From Heck (And what we do about them)". Dragon Magazine #154 Vol. XIV (No. 9): 9. ISSN 0279-6848.  ISBN 0-88038-865-X
  78. (Cook 1989b:25-41)
  79. (Pryor 1993)
  80. "After ... the idea of acquiring TSR began to swim in my mind it took me maybe thirty seconds to decide, We’ve got to do a third edition of Dungeons & Dragons." (Adkison, Peter in Johnson, et al; 30 Years of Adventure, p. 250).
  81. Johnson, et al; 30 Years of Adventure, p. 273
  82. Johnson, et al; 30 Years of Adventure, pp. 255-263
  83. "Countdown to 3rd Edition: Feats and Fighters
  84. 84.0 84.1 Tweet, Cook, Williams; Player's Handbook v3.5, p. 4
  85. Dungeons & Dragons Flashes 4-ward at Gen Con
  86. Dungeons & Dragons 4th Edition: Part 1
  87. Wizards of the Coast at Gen Con!
  88. 88.0 88.1 Svensson; Dungeonsn & Dragons reborn
  89. Archive of List of Origins Award Winners
  90. Hall of Fame
  91. Schick; Heroic Worlds, pp. 414-418
  92. Hall of Fame
  93. "Although we have come a long way since D&D, the essential concept is still the same, and is one that will endure." (Darlington; "A History of Role-Playing Part IX").
  94. Rilstone; Role-Playing Games: An Overview
  95. Fine; Shared Fantasy, pp. 16-19
  96. Darlington; A History of Role-Playing Part V
  97. [[#Ref-Places-to-Go-June|Darlington; A History of Role-Playing Part VIII]
  98. Grady, RJ (August 4, 2004). "In Genre: THE DUNGEON". RPGnet. Retrieved on 2007-04-05.
  99. Staff (February 8, 2007). "How Dungeon & Dragons shaped the modern videogame". PC Gamer. Future Publishing Limited. Retrieved on 2007-04-03.
  100. Boucher, Geoff (2008-05-05). "Jon Favreau is the action figure behind 'Iron Man'". Los Angeles Times. Los Angeles Times. Archived from the original on 2008-05-17. Retrieved on 2008-05-17.
  101. Bob, Bledsaw (July 1979). "From the Sorcerer’s Scroll: What has Judges Guild done for Dungeons and Dragons". The Dragon #27 (TSR Hobbies, Inc.) Vol. IV (No. 1): 10–11. 
  102. Copyright conflicts with the Tolkien Estate lead to removal of references to Hobbits, Ents and others. Hallford, N.; Hallford, J. (2001). Swords & Circuitry: A Designer’s Guide to Computer Role Playing Games (First edition ed.). Thomson Course Technology PTR. pp. 39. ISBN 0761532994. 
  103. Disputes over licenses led to an agreement for Chaosium to use the Thieves' World license in exchange for allowing TSR to legally publish the Cthulhu and Melniboné mythoi in Deities & Demigods. See: Appelcline, Shannon (2006). "Chaosium: 1975–Present". A Brief History of Game. RPGnet. Retrieved on 2007-08-13.
  104. Staff. "The d20 System". Wizards of the Coast. Retrieved on 2007-08-14.
  105. Staff (2007). "D20 Products with 3rd Edition Rules, 1st Edition Feel". Necromancer Games. Retrieved on 2007-08-21.
  106. "Dungeon Crawl Classics". Goodman Games. Retrieved on 2007-03-20.
  107. Thorn, Mike (June 9, 2006). "Review of Hackmaster 4th Edition". RPGnet. Retrieved on 2007-03-19.
  108. “Castles & Crusades is a fantasy RPG, clearly based upon the first edition of AD&D but with streamlined d20-like rules.”Mythmere. "Castles & Crusades Players Handbook (4.6 stars)". Mythmere’s Wondrous Resource. Retrieved on 2007-03-19.
  109. Gary Gygax was writing an entire line of Castle Zagyg products for Castles & Crusades."Castle Zagyg Product Page". Troll Lord Games. Retrieved on 2007-03-19.
  110. Staff (2008-03-18). "Paizo Publishing® Announces the Pathfinder RPG™". Paizo. Retrieved on 2008-11-21.
  111. Pramas, Chris (2008-07-14). "Green Ronin and Fourth Edition D&D", Green Ronin. Retrieved on 20 November 2008. 
  112. 112.0 112.1 Paul Cardwell, Jr (1994). "The Attacks on Role-Playing Games". Skeptical Inquirer 18 (2): 157–165. http://www.rpgstudies.net/cardwell/attacks.html. Retrieved on 4 August 2007. 
  113. (Williams 2000:41,47)
  114. Gagne, Kenneth A. (April 27, 2001). "Moral Panics Over Youth Culture and Video Games". Worcester Polytechnic Institute. Retrieved on 2007-08-27.
  115. Darlington, Steve (August 1998). "A History of Role-Playing Part IV: Part Four: Hell and High Finance". Places to Go, People to Be (Issue 4). http://ptgptb.org/0004/hist4.html. Retrieved on 3 April 2007. 
  116. Hately, Shaun (February 1999). "The Disappearance of James Dallas Egbert III (Part I)". Places to Go, People to Be (Issue 6). http://ptgptb.org/0006/egbert.html. Retrieved on 21 February 2007. 
  117. O'Connor, John (December 28, 1982). "TV: 'Mazes and Monsters,' Fantasy", New York Times. Retrieved on 4 August 2007. 
  118. Svitavsky, William (June 2001). "Geek Culture: An Annotated Interdisciplinary Bibliography". The Bulletin of Bibliography 58 (2): 101–108. http://reconstruction.eserver.org/011/GeekCulture.htm. Retrieved on 25 November 2008. 
  119. Simon, Armando (October 1987). "Emotional Stability Pertaining to Dungeons and Dragons". Psychology in the Schools 84 (4): 329–332. 
  120. Staff (April/May 1981). "Interview with Dave Arneson". Pegasus (Judges Guild) (Issue 1). http://www.judgesguild.net/guildhall/pegasus/pegasus_01/interview.shtml. Retrieved on 23 February 2007. 
  121. Rausch, Allen (August 19, 2004). "Dave Arneson Interview". GameSpy. Retrieved on 2007-02-23.
  122. Gygax, Gary. "Gygax FAQ". The Creative World of Gary Gygax. Archived from the original on 1999-01-28. Retrieved on 2006-07-04.
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  124. "Bill Gates Grants Self 18 Dexterity, 20 Charisma". The Onion (Onion, Inc) 31 (21). June 18, 1997. http://www.theonion.com/content/node/29743. Retrieved on 3 April 2007. 
  125. Cohen, David X.; Ken Keeler, Eric Rogers (writers). Futurama, Anthology of Interest I. 20th Century Fox Television. 
  126. Roberts, Tara (September 13, 2005). "‘D&D’ players defy stereotypes", The Argonaut, University of Idaho. Retrieved on 3 April 2007. 
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Further reading Edit

External links and further readingEdit

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